Pages

Tuesday, March 24, 2009

The Blue Bird - size 8,268 X 11,693 inches - print high quallity

The Blue Bird - size 8,268 X 11,693 inches - print high quallity
Description The Blue Bird" is a French literary fairy tale by Madame d'Aulnoy, published in 1697
The king had a daughter named Fiordelisa whom he loved dearly. The queen too had a daughter from a prior marriage named Turritella. Turritella though, was less lovely by far than Fiordelisa. One day the king turned to the timely matter of his daughters' well-being and to matters of state and the arranging of marriages. The queen insisted that her daughter....

It is printed with Archival High Quality inks.
All my prints Signed, dated and numbered by artist.
Created in a limited edition of only 50 fine art prints

--------------------Image measures:
.............SIZE ....................................................... ..MATERIALS........................PRICE
-------------------------------------------------------------------------------------------------------------------
USA - CANADA --------------EUROPE--------------------------------------------------------------
---- INCHES -------------------------- CM --------------------------------------------------------------
A) 8,268 X 11,693 ....................21 X 29,7................fineart cardstock....................14$
B) 11,69 X 16,535 ....................29,7 X 42................. museum cotton canvas...............24$ *
G) 14,56 X 19,685...................... 37 X 50.................. museum cotton canvas............36$ *
sizes B and G convo me ( the big sizes) to make a custom order just for you
---------------------------------------------------------------------------------------------------------------------

SHIPPING
--------------------
It will be shipped in a protective sleeve envelopes. I will make sure every piece gets to you safely.
*BIG prints are packed and are then shipped out in sturdy crush-resistant mailing tubes.
-----I would combine multiple purchases to save on shipping cost.------
-----Please convo me if you need your print sooner. ---------------------------

This artwork may NOT be copied, printed or reproduced without the artist’s permission.

THANK YOU SO MUCH!!!!!



, , , , , , , , , , , , ,

forever with you - Poster print collage with crows in vintage style - size 8,268 X 11,693 inches forever with you - Poster print collage with crows in vintage style - size 8,268 X 11,693 inches

forever with you - Poster print collage with crows in vintage style - size 8,268 X 11,693 inches Description If we just hold each other close again
We can make it to the very end
Baby I will leave you never
I just wanna spend forever with you


It is printed with Archival High Quality inks.
All my prints Signed, dated and numbered by artist.
Created in a limited edition of only 50 fine art prints

--------------------Image measures:
.............SIZE ....................................................... ..MATERIALS........................PRICE
-------------------------------------------------------------------------------------------------------------------
USA - CANADA --------------EUROPE--------------------------------------------------------------
---- INCHES -------------------------- CM --------------------------------------------------------------
A) 8,268 X 11,693 ....................21 X 29,7................fineart cardstock....................14$
B) 11,69 X 16,535 ....................29,7 X 42................. museum cotton canvas...............24$ *
G) 14,56 X 19,685...................... 37 X 50.................. museum cotton canvas............36$ *
sizes B and G convo me ( the big sizes) to make a custom order just for you
---------------------------------------------------------------------------------------------------------------------

SHIPPING
--------------------
It will be shipped in a protective sleeve envelopes. I will make sure every piece gets to you safely.
*BIG prints are packed and are then shipped out in sturdy crush-resistant mailing tubes.
-----I would combine multiple purchases to save on shipping cost.------
-----Please convo me if you need your print sooner. ---------------------------

This artwork may NOT be copied, printed or reproduced without the artist’s permission.

THANK YOU SO MUCH!!!!!



, , , , , , , , , , , , ,

MEETING - Poster print collage with crow in vintage style - size 8,268 X 11,693 inches

MEETING - Poster print collage with crow in vintage  style - size 8,268 X 11,693 inches
Description When I sleep tonight
A dream will call
And raise it's head in majesty
Dividing all my energy
To the meeting of your love

It is printed with Archival High Quality inks.
All my prints Signed, dated and numbered by artist.
Created in a limited edition of only 50 fine art prints

--------------------Image measures:
.............SIZE ....................................................... ..MATERIALS........................PRICE
-------------------------------------------------------------------------------------------------------------------
USA - CANADA --------------EUROPE--------------------------------------------------------------
---- INCHES -------------------------- CM --------------------------------------------------------------
A) 8,268 X 11,693 ....................21 X 29,7................fineart cardstock....................14$
B) 11,69 X 16,535 ....................29,7 X 42................. museum cotton canvas...............24$ *
G) 14,56 X 19,685...................... 37 X 50.................. museum cotton canvas............36$ *
sizes B and G convo me ( the big sizes) to make a custom order just for you
---------------------------------------------------------------------------------------------------------------------

SHIPPING
--------------------
It will be shipped in a protective sleeve envelopes. I will make sure every piece gets to you safely.
*BIG prints are packed and are then shipped out in sturdy crush-resistant mailing tubes.
-----I would combine multiple purchases to save on shipping cost.------
-----Please convo me if you need your print sooner. ---------------------------

This artwork may NOT be copied, printed or reproduced without the artist’s permission.

THANK YOU SO MUCH!!!!!



, , , , , , , , , , , , ,

Friday, March 20, 2009

FLY - Poster print collage from an old page manuscript book in museum canvas - high quallity - size 11,69 X 16,535 inches

FLY - Poster print collage from an old page manuscript book in museum canvas - high quallity - size 11,69 X 16,535 inches
Description You can fly! You can fly!
You can fly! You can fly!
When there's a smile in your heart

It is printed with Archival High Quality inks.
All my prints Signed, dated and numbered by artist.
Created in a limited edition of only 50 fine art prints

--------------------Image measures:
.............SIZE ....................................................... ..MATERIALS........................PRICE
-------------------------------------------------------------------------------------------------------------------
USA - CANADA --------------EUROPE--------------------------------------------------------------
---- INCHES -------------------------- CM --------------------------------------------------------------
A) 8,268 X 11,693 ....................21 X 29,7................fineart cardstock....................14$
B) 11,69 X 16,535 ....................29,7 X 42................. museum cotton canvas...............24$ *
G) 14,56 X 19,685...................... 37 X 50.................. museum cotton canvas............36$ *
sizes B and G convo me ( the big sizes) to make a custom order just for you
---------------------------------------------------------------------------------------------------------------------

SHIPPING
--------------------
It will be shipped in a protective sleeve envelopes. I will make sure every piece gets to you safely.
*BIG prints are packed and are then shipped out in sturdy crush-resistant mailing tubes.
-----I would combine multiple purchases to save on shipping cost.------
-----Please convo me if you need your print sooner. ---------------------------

This artwork may NOT be copied, printed or reproduced without the artist’s permission.

THANK YOU SO MUCH!!!!!



, , , , , , , , , , , , ,

Tuesday, March 17, 2009

How to photograph silver, white gold, and platinum jewelry

When it comes to photographing silver, white gold and platinum high-polish (mirror finish) jewelry, the first thing one has to understand about silver is the natural properties it has. Silver jewelry, in most instances, tends to be a natural mirror that reflects everything that is around it. For this reason, one has to carefully place silver jewelry and with the correct surroundings in order to create an image that can truly show the silver jewelry piece in its true and natural look.
When people want to learn more about photography they sometimes
think about taking online photography classes
To illustrate the idea that silver, white gold  platinum jewelry mirrors its surroundings, we have placed a silver ring in three different photographing environments, and have showed you the result of each of them. Please view the following images, and read the text along each photograph. After the photographs, you will find tips on how to photograph silver.

For this tutorial, we have used the MK Photo-eBox™ lighting system & a Canon S5IS

Note: Photos have had the brightness & contrast adjusted - then cropped. Nothing else
Photo 1
Silver appears "Too White"
Photo2
Silver appears natural
Click image to enlarge
Silver ring that appears "too white"
Click image to enlarge
Silver ring that appears more natural
In this photo, we can see that the silver looks too white, as it reflects the lit surface of the Photo-eBox. There is nothing you can do to avoid this; as silver will simply reflect everything surrounding it. The ring looks unnatural, although the background is fully white.
In this photo we can see that the silver looks much more natural, as it reflects the metallic background it is against. By using this metallic surface, we can make the ring reflect metal, and thus appear metallic and natural. Also note that the purple stone looks more real.

Photo3
The silver ring looks more natural
The silver ring looks more natural
In this photo we have used a black background. If you take a look at the silver ring, you can see that it reflects part of the black background and also parts of the white walls of the Photo-eBox. Once you have understood that silver acts just like a mirror you can understand that when photographing jewelry, its surroundings will directly affect how the image will appear. View tips



Tips and suggestions for photographing silver, white gold & platinum jewelry:



<<<>




4. Avoiding unnecessary shadows and reflections


When photographing jewelry, there are certain shadows and reflections that might be necessary to create a three-dimensional look, or that you may simply want as a personal preference. Yet, there are other reflections and shadows that are unnecessary and that you want to avoid in order to have a photograph that presents your jewelry in the best way possible.


The first thing you need to understand about reflections and shadows is how they are produced and why they appear or exist. Though it may seem obvious, shadows are created when an object is exposed to direct lighting (which can come from light in a room, the sun, or through the use of a regular lamp); while reflections are created in any object that is composed of reflective materials such as metals or glass.


What you need to do, is to avoid this direct light that creates shadows, and avoid those surroundings that create reflections in your jewelry. Please read the following steps on how to avoid shadows and reflections in your jewelry or view example photo.

Steps for photographing jewelry without unnecessary shadows and reflections:

Note: Photos have had the brightness & contrast adjusted, then cropped. Nothing else


Photo of a ring without reflections or shadows-photographed inside the Photo-eBox
Using Diffused Lighting (from the inside the Photo-eBox)
Photo of a ring with no shadows or reflections
This photograph shows no shadows and reflections because it was photographed inside a Photo-eBox™ lighting system that contains wrap-around natural daylight. The natural daylight that is exposed through the sides, back and bottom of the Photo-eBox, avoids all the shadows and reflections in the ring. The lit bottom allows the background to be completely white, and make the ring to appear to be "floating".

Photo of a ring with reflections and shadows
Non-diffused lighting (from outside environment)
Photo of a ring with shadows & reflections
This photo was photographed outside of the Photo-eBox™ on a white plastic surface, with the light in the room. You can see that regular light will create shadows on the ring, while the fact that the ring is in the outside allows the surroundings to reflect on the ring. The arrow pointing to show reflections on the ring shows the reflections of the walls or ceiling from the room, which as you can see add an unprofessional look to the ring's photo, and do not show the true colors of the ring.

<<<>





6. Positioning your jewelry - using holding wax




The accessory you need is "Positioning holding wax". This specially manufactured wax allows you to position your jewelry in an upright vertical position or at various angles. The wax is hard and resistant, yet flexible enough for you to handle it and mold it to your needs.

Using the positioning holding wax in jewelry photography: (pictured below)
  • Step 1: Grab the wax from the corner and take a very small piece (1 to 3 mm)
  • Step 2: Take the wax piece and mold it into an egg or oval shaped ball
  • Step 3: Position the wax on the surface, then kindly place the ring above the it.
Note: The rings were photographed inside the MK Photo-eBox™ and Gem-ebox™ with a Canon Powershot A650 IS. Photos have had the brightness & contrast adjusted - then cropped.

Step 1
Click image to enlarge

Step 1: Pull out a small piece of wax
Step 2
Click image to enlarge

Step 2: Create a small ball from the wax in step 1


Step 3 - Example 1
Click image to enlarge

Step 3: Place the ring on top of the wax wall
Step 3 - Example 2
Click image to enlarge

Step 3: Place the ring on top of the wax wall


Step 3 - Example 3
Click image to enlarge

Photo of a ring using holding wax
Step 3 - Example 4
Click image to enlarge

Photo of a ring using holding wax
<<<>




7. Giving Sparkles to your jewelry using white natural daylight LEDs


Diamonds and gems presented in jewelry stores do not sparkle as intense as compared to being displayed in the sun. While the sparkle produced by illuminating jewelry with metal-halide, halogen, and florescent lighting are good, it could be better.


New advances in technology have created a unique opportunity for the jewelry business. A scientific breakthrough in light emitting diodes (LED) has produced lighting that matches the full spectrum of the sun. As a result, retailers can now display their jewelry with maximum radiant potential.


A photograph with the right amount of LED lighting

A photo with the correct amount of LED light exposure

This photo was photographed inside a
Photo-eBox Plus™ and the Mini-Lite 350-2 LED light.

Utilizing the new LED technology, MK Digital has crafted the SparkleLite™ product line. With MK SparkleLite lighting your customers will be amazed at the fire and brilliance of your diamonds and gems. Using specially calibrated and color corrected super white LEDs, your jewelry has the ability to out-sparkle the competition.

While super white LEDs are great, SparkleLite products offer an additional design advantage. By placing the LEDs on a precise angle, the effect creates multiple points of light, which brings out even more surface sparkle.


Proper LED light illumination:

When illuminating your jewelry with LED light it is important to only use the right amount of light, not too much and not too little. Most LED natural daylight products will not allow you to control the intensity of the light with a dimmable switch, but in this example we have used the Mini-Lite 350-2, that does contain a dimmer switch and allows you to control the light.

Steps for proper illumination:
  • Step 1: Turn off the fluorescent light on your lighting system box - View boxes
  • Step 2: Turn on the Mini-Lite 350-2 or other LED light, and direct it towards your jewelry. Once you have the light box turned off, you will be able to see only how much LED light you will be using.
  • Step 3: Now turn on the fluorescent lights on your lighting system box.
  • Step 4: Take a photograph of your item. Check the photo to see if you like it.
  • Step 5: If needed, adjust the intensity of the LEDs to a proper level. The correct amount of intensity, is the one that begins to show sparkles and brings out your jewelry piece to life, but it's not excessively strong that it is too shiny. View the first photo shown above.

Too much LED lighting
No LED light at all
Click image to enlarge

Photo of ring with too much LED light
Click image to enlarge
Photo of ring with not enough LED light

This photo has been exposed to too much LED lighting, which make the ring appear too shiny.
This photo has not been exposed to any LED lighting. As you can see in the blue stone, there are no "sparkles"



Photo of photography setup inside the Photo-eBox PLUS


This is how we shot the photograph. Inside a Photo-ebox Plus and a Canon S5 IS
The gooseneck that you see on the photo on the right, is the Mini-lite 350-2

A few more examples with and without LED lighting:

See more photos with/without LED Lighting
With LED lighting
No LED Lighting
Click image to enlarge
Ring photographed with LED lighting
Click image to enlarge
Ring without LED lighting



With LED lighting

No LED Lighting
Click image to enlarge
Ring photographed with LED lighting
Click image to enlarge
Ring without LED lighting

<<<>





8. Halogen lighting used for photographing rubies, amethysts, opals, emeralds, and other stones.


As we have mentioned before, the illumination of jewelry in photography is one of the most important elements for achieving quality photos. Although most jewelry only needs to be photographed with fluorescent light, certain types of gem stones and jewelry need halogen light illumination.


Halogen lighting provides a warm light environment that provides the optimum viewing and photographing condition for rubies, pearls, opals, emeralds, amethysts. If fluorescent lighting is used, there will be a shift in the color of your gem stones and precious stones which might not allow you to appreciate them in their natural colors and characteristics.


Note: Please test your jewelry with both fluorescent and halogen lighting, as different gem stones and precious stones will act differently to both types of lights. While we do recommend halogen lighting to the previously mentioned types of stones, we encourage you to test both types of light. Please remember that when photographing with halogen lighting, you need to adjust the white balance of your camera. Learn how

Steps for properly illuminating jewelry with Halogen lighting:
  • Step 1: Turn on the halogen lighting on your lighting system box
  • Step 2: Adjust your camera's white balance's to the halogen lighting. View how (Step #9)
    This will adjust your camera, so that the halogen light appears to be white, while maintaining the true colors of your jewelry and stones.
  • Step 3: Simply adjust the shooting speed of your camera, then photograph. View how (Step 4.3)
The following are photos to show you the difference between using fluorescent lighting and using halogen lighting for illuminating a red colored stone in a ring

Fluorescent Lighting
Improper light- Bad photo
White balance w/fluorescent light
Click image to enlarge
Halogen Lighting
Proper light- Bad photo
White balance NOT adjusted
Click image to enlarge
Halogen Lighting
Proper light- Good photo
White balance adjusted
Click image to enlarge
This is a photo with fluorescent lighting. You can see that the  red stone looks very dark and  is improperly shown. It does  not show the stone's true  colors and qualities.
This is a photo with halogen lighting. You can now see the stone's red color. Yet, the rest of the ring and photo look yellow, which make it a bad photograph.
This is a a photo with halogen lighting, but after our camera's white balance wad correctly adjusted. Now the photo DOES present the ring in it's true and natural color.
This is a photo with fluorescent lighting. You can see that the
red stone looks very dark and
is improperly shown. It does
not show the stone's true
colors and qualities.
This is a photo with halogen lighting. You can now see the stone's red color. Yet, the rest of the ring and photo look yellow, which make it a bad photograph.
This is a a photo with halogen lighting, but after our camera's white balance wad correctly adjusted. Now the photo DOES present the ring in it's true and natural color.

Note: All photos are completely unedited in any way, they have only been cropped. Photos were photographed inside an MK Photo-eBox II™ with a Canon S5 IS. View current camera models
<<<>




9. Artistic jewelry photography by using black and white acrylics


Have you ever seen and wondered how those fancy jewelry photos on magazine ads are photographed? - Well, here's one artistic effect that's you can easily achieve.


Most jewelry photographs that are used for catalogs, online stores, eBay, or other forms of marketing, don't really look too fancy - but they should. Because when it comes to having that cover or front page photo, or photos that will make a sale, you want to make your jewelry look very special.


A popular product photography effect, is the use of a product's reflection on the surface that it is being photographed. This is a technique regularly used for photographing a very special and unique item, as it has as a purpose to make the product stand out and look "twice" as nice (the reflection).



Photo of a ring reflecting on a white acrylic. Also know as the "Tiffany Effect"
This photo was photographed inside a Photo-eBox™ with a white reflective acrylic & a Canon S5 IS Camera

Steps for photographing in a reflective white surface:
  • Step 1: Turn on the fluorescent lighting on your lighting system box
  • Step 2: Adjust your camera's white balance to the white fluorescent light. More
  • Step 3: Place the white glossy acrylic inside of the box.
  • Step 4: Take photographs, and enjoy the look of the photos!
Now using a Black acrylic
Reflective photo with LED light
Click image to enlarge
Reflective photo without LED light
Click image to enlarge
Photo of a ring reflecting on a black acrylic. Also know as the "Tiffany Effect"
Photo of a ring reflecting on a black acrylic. Also know as the "Tiffany Effect"
These photos were photographed inside a Photo-eBox™
with a black reflective acrylic and Canon S5 IS digital camera

Steps for photographing in a reflective black surface:
  • Step 1: Turn on the fluorescent lighting on your lighting system box
  • Step 2: Adjust your camera's white balance to the white fluorescent light. More
  • Step 3: Place the black glossy acrylic inside of the box.
  • Step 4: Add a black velvet or black plastic at the back of the box. This is done in order to get a completely black reflection on the black acrylic. Otherwise, the acrylic would reflect the white walls of the box, and would end up looking gray. See below
  • Step 5: Place your jewelry near the edge of the acrylic and the black velvet.
  • Step 6: Take photographs, and enjoy the look of the photos!
Please Note: You can add your own backgrounds when photographing watches in order to create uniquely artistic photographs.


Photography Setup inside a photography lighting system to shoot photos of rings reflecting on acrylic - to create the "Tiffany Effect".

To set-up, place the black or white reflective acrylic on the bottom of the lighting system box.
Then place the black velvet piece on the back of the box. Refer to the image below.



Diagram of a Photography Lighting System (Photo Light Box)



<<<>




10.New! How to get a perfectly white background when shooting jewelry


I'm sure this is something a lot of people want to achieve, but don't know exactly how to do it and what tools they need to use in order to get a perfectly white background in their photos. White is the most popular background used in product photography for the internet and catalogs.



Steps to follow to achieve a white background in your jewelry photos


  1. Canon Camera SX110Get a digital camera that has a full manual mode, which also has a MANUAL or CUSTOM white balance setting (which allows you to manually configure the white balance). This is essential in order to manually allow your camera to adapt to your photography lighting environment (studio).
    Learn how to set-up your camera for product photography
  2. Photo-eBoxUse a wrap-around diffused photography lighting environment If possible, make sure it has illumination on the platform (where you'll place your items, like the one in all the MK Lighting Systems), as this will increase your success of achieving a truly white background. Wrap-around means that the photography environment must enclose your items from all sides so that nothing from the outside reflects in your jewelry. Diffused Lighting means that the lighting that illuminates your jewelry should pass through a light diffuser (like the inside of the MK Lighting systems) so that the light does not hit your jewelry directly, which would otherwise create shadows in your photos (like sunlight does).
  3. Place a white background inside your photography lighting system (If it doesn't already contain one). Preferably use a white acrylic (or something else that is white) in the bottom & back of your photography lighting system or light box.
  4. Place your item inside your closed photography lighting system or light box.
  5. Choose your desired shutter speed in your digital camera. The shutter speed is usually a fraction that appears in your camera screen (like 1/100 or 1/250), when using manual mode. By changing the shutter speed of your camera you are able to make your photos darker or brighter. Play around with the shutter speed and figure out the which shutter speed provides you with the best photo - one that is not too dark, and not too light. Learn more (View step #4.3)
  6. Edit your photo's brightness and contrast. This will ensure that your background, which might still be slightly gray (rather than full white) turns into a perfectly white background. By just adding a little bit of brightness and contrast to your photo, you'll be able to achieve this. Learn more (View step #4.6) .
For full information on how to achieve better product photos, read our Photography Startup Guide
<<<>

How-to Photograph Jewelry: Get the Basics with Vadjutka

Share on Facebook!


vadjutka.etsy.com recently submitted a piece on Hungarian traditional and contemporary crafts for the Etsy World Tour series. Turns out she has worked as a professional photojournalist.
She now sells her jewelry on Etsy, and so she has some crucial tips for jewelry sellers who want to take great photos of their items. Read on, sellers, for more on exposure, background, angles, and more....

I think most jewelry makers have faced this problem at least once: how to take a good photo and how to style that photo to make the most of an item. In the next few paragraphs I'll try to sum up the practices I learned as a photojournalist — which could be useful for photographing still subjects like jewelry.

1. Light: Sharp vs. Smooth Shadows
There you are, with a beautiful piece of jewelry, ready to take some photos and list it in your shop. Right before you push the button on your camera, there are a few things that might be good to consider: for example, the angle of the light coming from outside (or inside), and the shadow it casts on your item. Some may like sharp lines, others may like smooth. For those who belong to the first group, natural light it is best, and it is useful to take pictures around noon, when the sun is high. Those who prefer smooth lines should shoot in the morning or after 4 pm.

Sharp, defined shadows:
.
[Dangle earrings by fantcastle]



[Crown necklace by spicychocolate ]

Smooth, diffused shadows:

[earrings by shimmerglassjewelry]


[Mushroom ring by ctseibels]

Of course, most of us don't have time to wait for the perfect sunlight to arrive. What can we do if we only have time to shoot in the early evening, when the light is not so bright, but we don't want an underexposed grey picture as a result? We shall use the flash, but not directly — and ever so carefully! Using flash directly makes very bright white spots on the picture, because the light of the flash is not diffused to different directions. So either we can put a smaller white plastic card on the flash to diffuse light, or if it is not possible, cover the flash with a white tissue. It will result a brighter picture but without the distracting, overexposed bright spots.

2. Correcting the photometer
If your camera allows you to adjust it manually, don't be afraid to use it. At first it might seem a bit difficult, but one can learn it quite quickly. There are two main "numbers" we have to deal with: the shutter speed (the duration of time the shutter is opened) — its values are marked with 1/125, 1/60, 1/30 etc. — and the F-stop (the amount of light coming into the camera’s aperture) — its values are marked with numbers like 2,2, 2,8, 3,5, 5,6 etc.

Don't panic about having to measure these values manually, as the photometer built into the camera does it for us. Though built-in photometers react quickly — my photometer measures on nine different spots — at the end of the measuring process we get an average number. This means that if we do not correct the measurement a little bit, we might get a photo with over or underexposed spots.

If we want the darker spots to be more detailed, we have to add a bit more light: either with a lower f-stop or with a lower shutter-speed. Consequently, we do the opposite in case of overexposed spots — for example, when taking photos of a white, glittering or very bright jewelry, we add one or one-and-half to the measured values of the photometer, which means higher numbers of f-number and shutter-speed.


[measured by photometer and altered values, photo by vadjutka.etsy.com]

If we sit in a quite dark room, and all f-stops are gone (which means that the shutter is opened to its maximum size), we still have opportunities by letting in more light with an even lower shutter speed number. As far as I know, most people can make a sharp picture with the maximum value 1/30 of a second for shutter speed; below that, photos become blurred. So if the picture requires longer than that, we should use a tripod...or stabilize our hands on a sturdy object (in extreme situations it can be our knees, as well), hold back breathing, and shoot!

LINKS:
http://en.wikipedia.org/wiki/F-number
http://en.wikipedia.org/wiki/Shutter_speed


3. Go closer! - Making a photo essay
When I was in photography school, my teacher always asked me: “What do you want to say with these distant pictures? Go closer!” Luckily enough, we can get close quite easily when shooting jewelry, thus easily fulfilling what my teacher always wanted: one close-up picture showing details of the item, and one "big picture," showing the whole item its environment, or on a model. We should also take some photos from different angles: what does the item look like from the back, or from the sides? It is like telling a story, except in pictures and not in words.


[by yasminbochi]


[by lesthings]


[by juliery]

4. Background: patterns vs. white
An important part of telling the story of your jewelry in pictures is the background of the photo. Browsing Etsy, we can find a few main types of backgrounds: plain white, solid color backgrounds, and non-white, patterned backgrounds — usually with flowers, shapes or letters. The plain white background has an advantage: it is easier to photograph, and easier to take in visually. Using white as background has one more advantage: it intensifies the light, so it can help in taking photos of a darker item. We can use a plain white sheet for photography — that is what I do, or a white box (see here for a how-to).

An example of a white box:

[photo by panyizsuzsi.etsy.com]

white backgrounds:

[fabric necklace by fabricfarrago]



[polymer pendant necklace by jkollmann]


[ring by KelbelleDesigns]


The advantage of a non-white background is that a good background adds a special meaning and an atmosphere to the jewelry, thus creating its own little world. Make sure to consider the look and feel of your shop as a whole. Ask yourself, "Does this background work with the overall branding and image I want for my work? Will my target buyers relate to it?"

non-white backgrounds:

[ring by pocketfullofpoesy]



[Cherry Drop earrings by nicoleleeartistry]


[necklace by TheHandOfFatima]

These are just some general tips. Within these constraints, the photographer can really get creative and best of all — let the jewelry shine as the center of attention.


video tutorial 1
video tutorial 2
video tutorial 3

, , , , , , , , ,